When Philadelphia Theatre Company premieres “How to Catch Creation” March 22, playwright Christina Anderson’s work will be a debut of another sort for the Broad Street troupe.

PTC and its producing artistic director, Paige Price, are the first in the United States to make an annual pledge to produce at least one work per season from The Kilroys list — started in 2017 to identify new and under-produced plays exclusively by female, trans and nonbinary writers, such as Anderson.

 If laughter is the best medicine, a new queer comedy series is ready to write prescriptions and let the healing begin.

A diverse lineup of out comedians recently brought its collective sense of humor to the small screen for “OUT on Stage,” a new live comedy showcase on Dekkoo, the streaming service for gay men.

 If only Ondi Timoner’s ambitious biopic, “Mapplethorpe,” was as stimulating as the titular artist’s work.

This disappointing film, opening March 8 at Landmark’s Ritz at the Bourse, never quite captures his essence. There is more feeling and emotion in his images of calla lilies and penises — images graciously loaned from the artist’s foundation, and prominently featured throughout the film — than there is in the actual drama that unfolds.


When it comes to musical theater with a huge vocal presence, if you’re calling in Michael LaFleur, you must mean business.

The out, live-show theater specialist behind razzle-dazzling large-scale showcases for Disney and Universal theme parks, as well as individual shows for Celine Dion and Sarah Brightman, knows how to transform something intimate into something with wide-scale appeal. He also understands the intricacies of dealing with divas.

To most audiences, LGBTQ or otherwise, long-haired Jonathan Van Ness is an out, style/social-consciousness icon whose talents as a hairdresser and tonsorial-grooming expert on the Netflix series “Queer Eye” — the surprisingly poignant reboot of the Bravo network’s “Queer Eye for the Straight Guy” — are only surpassed by his instincts regarding magnanimity and public spirit. 

Perhaps it is that very same intuition that makes him a dynamic podcaster (à la “Getting Curious with Jonathan Van Ness”) and universally loved stand-up comedian who came for his first comedy gig in Philadelphia at Upper Darby’s Tower Theatre on Thursday, Feb. 28.

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