When multidisciplinary choreographer John Bernd succumbed to AIDS in 1988, he didn’t go quietly. Long a lion of Manhattan’s influential experimental dance scene, Bernd’s freeing poignancy of movement and depth of dramatic/thematic eclat created a worthwhile legacy.

Before discussing Fringe Fest 2018 offering “WOLFCRUSH (a queer werewolf play,)” — a torrid tale of lust, cannibalism, bondage, gay werewolf sex and Mariska Hargitay — it is important to know something about its production company, On the Rocks.

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